Carl Larsson
A Sweden Museum
Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.		 Carl Larsson

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Here are all the paintings of Matthias Grunewald 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
52037 Annunciation and Resurrection Matthias Grunewald Annunciation and Resurrection c. 1515 Oil on wood,
87844 Carrying the Cross Matthias Grunewald Carrying the Cross between 1523(1523) and 1524(1524) Medium Oil on wood cyf
52035 Concert of Angels and Nativity Matthias Grunewald Concert of Angels and Nativity c. 1515 Oil on wood, 265 x 304 cm
21367 Crucifixion (mk08) Matthias Grunewald Crucifixion (mk08) 1512-1516 Oil on wood 269x307cm Colmar,Musee d'Unterlinden
84323 Erasmus durch Hl Matthias Grunewald Erasmus durch Hl English: c. 1517-1523 Medium Oil on wood cyf
30463 Isencheim Altar Crucifixion Matthias Grunewald Isencheim Altar Crucifixion mk68 Oil on wood 8'10"x11 2 2/1" Colmar Unterlinden Museum 1510-1515 Germany
30465 Isenheim Altar Allegory of the Nativity Matthias Grunewald Isenheim Altar Allegory of the Nativity mk68 wood Colmar Unterlinden Museum 1510--15115 Germany
52033 Isenheim Altarpiece Matthias Grunewald Isenheim Altarpiece c. 1515 Oil on wood
52044 Lamentation of Christ before 1523 Matthias Grunewald Lamentation of Christ before 1523 Oil on pine wood 36 x 136 cm
52031 Meeting of St Erasm and St Maurice Matthias Grunewald Meeting of St Erasm and St Maurice 1517-23 Oil on wood, 226 x 176 cm
87825 Meeting of St Erasm and St Maurice Matthias Grunewald Meeting of St Erasm and St Maurice between 1517(1517) and 1523(1523) Medium Oil on wood cyf
87827 Meeting of St Erasm and St Maurice Matthias Grunewald Meeting of St Erasm and St Maurice between 1517(1517) and 1523(1523) Medium Oil on wood cyf
52034 St Antony the Hermit Matthias Grunewald St Antony the Hermit c. 1515 Oil on wood, 232 x 75 cm
52038 Sts Paul and Antony in the Desert Matthias Grunewald Sts Paul and Antony in the Desert c. 1515 Oil on wood, 265 x 141 cm
88616 Stuppach Madonna Matthias Grunewald Stuppach Madonna between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf
88617 Stuppach Madonna Matthias Grunewald Stuppach Madonna between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf
23311 The Crucifixion (nn03) Matthias Grunewald The Crucifixion (nn03) c 1515 Oil on panel 269 x 307 cm 106 x 120 7/8 in Musee d'Unterlinden Colmar
85935 The Lamentation Matthias Grunewald The Lamentation 1515(1515) Medium Oil on wood cyf
21368 The Meeting of St Erasmus and St Maurice (mk08) Matthias Grunewald The Meeting of St Erasmus and St Maurice (mk08) c.1520-1524 Oil on wood 226x176cm Munich,Bayerisch Staatsgemaldesammlungen,Alte Pinakothek
88028 The Mocking of Christ Matthias Grunewald The Mocking of Christ 1503(1503) Medium Oil on pine panel cyf
90045 The Mocking of Christ Matthias Grunewald The Mocking of Christ 1503(1503) Medium oil on pine panel Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in). cyf
21365 The Mocking of Christ (mk08) Matthias Grunewald The Mocking of Christ (mk08) c.1503 Oil tempera on wood 109x73.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
52036 The Resurrection Matthias Grunewald The Resurrection c. 1515 Oil on wood
72753 Verspottung Christi Matthias Grunewald Verspottung Christi Date 1503-1505 Medium Oil on wood cyf
56843 Yisenhaimu altar painting, Good Friday to map Matthias Grunewald Yisenhaimu altar painting, Good Friday to map mk250 Yisenhaimu Germany, from San Antonio hospital chapel next. About the year 1510-1515. On-board painting, mosaic in the middle board 298.5 x 327.7 cm. Flank for the 250.2 x 340.4 cm. Taiwan altar on the painting of vertical sat 74.9 x 340.4 cm. Keer Ma, Ante Linden Museum.
Matthias Grunewald
German 1475-1528 Matthias Grunewald Galleries Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musee d'Unterlinden, Colmar. Its nine images on twelve panels contain scenes of the Annunciation, Mary bathing Christ, Crucifixion, Entombment of Christ, Resurrection, Temptation of St. Anthony and saints. As was common in the preceding century, there are different views, depending on the arrangement of the wings; but the three views available here are exceptional. The third view discloses a carved and gilded wood altarpiece in the centre. As well as being by far his greatest surviving work, the altarpiece contains most of his surviving painting by area, being 2.65 metres high and over 5 metres wide at its fullest extent. His other works are in Germany, except for a small Crucifixion in Washington and another in Basel, Switzerland. He was asked in about 1510 to paint four saints in grisaille for the outside of the wings of Durer's Heller Altarpiece in Frankfurt. D??rer's work was destroyed by fire and only survives in copies, but fortunately the wings have survived. There are also the late Tauberbischofsheim altarpiece in Karlsruhe, and the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum. A large panel of Saint Erasmus and Saint Maurice in Munich probably dates from 1521-24, and was apparently part of a larger altarpiece project, the rest of which has not survived. Other works are in Munich, Karlsruhe, and Rhineland churches. Altogether four somber and awe-filled Crucifixions survive. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Durer's works. His paintings are known for their dramatic forms, vivid colors, and depiction of light.
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